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Anton Webern
Webern: 5 Stücke - op. 10, for orchestra
UE5967
Type: Partitur (Sonderanfertigung)
Format: 232 x 305 mm
Pages: 16
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Description
Like the Op. 9 Bagatelles, these orchestra pieces have a complicated origin. Two of them (nos. 1 and 4) were written in 1911, the other three in 1913, along with a larger number – some merely sketched, some completed, and some including a singing voice. Webern conducted the premiere in Zurich in 1926.
The instrumental forces of Op. 10 are actually a chamber orchestra: the winds and strings one-to-a-part and the small complement of instruments never used in full. The use of harmonium, mandolin, guitar, celesta, bells and cowbells were certainly suggested by Mahler (Symphonies 6 through 8), whom Webern passionately admired. As with the Bagatelles written at the same time, everything is reduced to its essentials; the fourth piece, only six bars long, is the shortest one Webern ever composed, and only the last one, 31 bars long, attains the dimensions of Opp. 5 and 6. However, everything here has become quieter, subcutaneous. Schönberg’s notion of Klangfarbenmelodie doubtless plays a certain part in the orchestration; for example, the thrice-repeated F at the end of the first piece is scored differently each time: first, the flute alone, then flute and muted trumpet, then trumpet alone and finally celesta. These pieces are surely among the most beautiful and disciplined of all Webern’s works.
Manfred Angerer
Contents
Sehr ruhig und zart
Lebhaft und zart bewegt
Sehr langsam und äußerst ruhig
Fließend, äußerst zart
Sehr fließend
More information
Type: Partitur (Sonderanfertigung)
Format: 232 x 305 mm
Pages: 16