Johannes Maria Staud
Auf die Stimme der weißen Kreide
Short instrumentation: 2 1 2 1 - 1 2 1 1 - perc(3), pno, str
Duration: 30'
Dedication: für Silvia und Oskar und meine Freunde vom Ensemble Modern
Instrumentation details:
1st flute (+picc
alto fl
lotosfl)
2nd flute (+bass fl
lotosfl)
oboe (+c.a)
clarinet in Bb (+cl(Eb))
bass clarinet in Bb
bassoon (+cbsn)
horn in F
1st trumpet in C
2nd trumpet in Bb
trombone
tuba (+cimbasso)
1st percussion
2nd percussion
3rd percussion
piano (+3 cymbals)
1st violin
2nd violin
1st viola
2nd viola
1st violoncello
2nd violoncello
double bass (5 string)
Staud - Auf die Stimme der weißen Kreide for large ensemble
Printed/Digital
Translation, reprints and more
Johannes Maria Staud
Staud: Auf die Stimme der weißen KreideOrchestration: für großes Ensemble
Type: Studienpartitur (Sonderanfertigung)
Johannes Maria Staud
Staud: Auf die Stimme der weißen KreideOrchestration: für großes Ensemble
Type: Dirigierpartitur
Sample pages
Work introduction
Inspired by the texts by author Josef Winkler, who was motivated by the sculpture “The Specter of the Gardenia” by Marcel Jean to write an idiosyncratic, surreal monologue, Johannes Maria Staud has translated his poetic images fluctuating between anger and tenderness into a work for ensemble. “I have attempted to write instrumental music that is very much inspired by these verbal image fields, by these aphoristically evocative things.” (Johannes Maria Staud)