Hans - Maria von Magdala

The opera 'Maria von Magdala', first performed at the Vienna Volksoper in 1919 under the pseudonym Lio Hans, is one of the most outstanding works by Austrian composer Lili Hutterstrasser-Scheidl and a milestone in the history of 20th century music. One of the first major operas by a female composer in Austria, it breaks with convention both musically and thematically. It focuses on Mary Magdalene, one of the most fascinating figures in the New Testament, who is portrayed here as a multi-layered, deeply human personality.

Richard Batka's libretto explores Mary as a woman torn between her past as an outsider and her search for spiritual renewal. The opera follows her inner and outer journey through pain, penance and redemption. It is not only about her relationship with Jesus, but also about how society deals with women who go beyond traditional roles. This complex choice of themes is reflected in a musical language that draws on both the late romantic tradition and modern expressionist elements.

In 'Maria von Magdala', Hutterstrasser-Scheidl uses multi-layered orchestration and expressive vocal writing to emphasise the protagonist's inner conflicts. She experiments with tonal contrasts and unconventional harmonies to reflect the ambivalence of Mary's emotional state. The choir plays a central role, both as commentator and as the symbolic voice of the society that observes, condemns and ultimately rejects Maria.

At its premiere, conducted by Felix von Weingartner, the opera was received with great interest. It was a bold artistic statement that impressed both audiences and critics. At a time when female composers were rarely recognised on the opera scene, Hutterstrasser-Scheidl succeeded in presenting her individual musical language and her female perspective.

Maria von Magdalena" is therefore not only an important work of opera literature, but also an important contribution to our understanding of women.