Ulf-Diether Soyka
Myra, No. 21 from Alien Microetudes for 1 (any) melody instrument and piano
Duration: 3'
Instrumentation details:
clarinet in A
clarinet in Bb
horn in F
alto saxophone in Eb
violin (+vla, bsn)
Myra, No. 21 from Alien Microetudes for 1 (any) melody instrument and piano
Translation, reprints and more
Ulf-Diether Soyka
Altsaxophon in Es (Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier)
Available digitally
Type: Stimme
Ulf-Diether Soyka
Horn in F (Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier)
Available digitally
Type: Stimme
Ulf-Diether Soyka
Klarinette in A (Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier)
Available digitally
Type: Stimme
Ulf-Diether Soyka
Klarinette in B (Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier)
Available digitally
Type: Stimme
Ulf-Diether Soyka
Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier
Available digitally
Type: Dirigierpartitur
Ulf-Diether Soyka
Violine (Myra, Nr. 21 aus Alien-Mikroetüden für 1 Melodieinstrument und Klavier)
Available digitally
Type: Stimme
Sample pages
Audio preview
Work introduction
Myra - from the micro-etudes for one melody instrument and piano "Alle meine Aliens".
"All my Aliens" are 21 microinterval etudes (partly of intercultural character) and a prelude for any melody instrument and piano (some of them are also intonation etudes). The occasion for these pieces was the microintervallic 3rd symphony ("Die Unspielbare") - for which European pupils, among others, can train the necessary pitch sensitivity using the standard notation (according to H.P.Hesse, M.Vogel). The pieces are each about 1 - 3 minutes long, appear partly traditionalist (as intonation etudes with special accidentals for syntonic and Pythagorean comma etc.), partly as an intercultural introduction to world music (maqam, slendro etc.), partly jazzy (blue notes, alphorn fa), partly avant-garde (e.g. notation of rap language melody).
In "Myra", the top note of the chord inversions often rises one (e.g. syntonic) comma higher in each bar. The intonation of these pitches is so harmonically supported by the piano movement that the micro-intervals are almost not noticeable as such when listening, but seem like intonation variations. The rhythm is happy and playful.
What is necessary to perform this work?
The piece can be performed by piano together with any (single) melody instrument or vocally if the appropriate range can be mastered, and the distinction between the microintervals is possible. Melody part material in C, F, Bb, Eb or A.