

Antonín Dvorák
Quartett F-Dur
Duration: 25'
Bearbeitet von: Luukas Hiltunen
Instrumentation details:
flute
clarinet
violin
violin I
violin II
viola
violoncello
Quartett F-Dur
Sample pages
Audio preview
Work introduction
Antonín Dvorák (1841–1904) composed his Quartett F-Dur, nicknamed the American Quartet (Op. 96), in 1893, during the composer's time in United States. The Quartet is among the most beloved compositions in the chamber music repertoire and was composed shortly after the New World Symphony, before that work had been performed. Dvorák sketched the Quartet in three days and completed it in thirteen more days, finishing the score with the comment "Thanks God. I am satisfied. It went quickly".
The present adaption of the Quartet as a Chamber Symphony in F major by Mr. Hiltunen, scored for flute, clarinet, three violins, viola and violoncello, was commissioned by Kuopio Symphony Orchestra. The setting was initially commissioned as incidental music for a children's play as a summer holiday treat for the musicians who were available, hence the unusual instrumentation. It only took just over a month for composer Hiltunen to produce the arrangement, a process that was, according to the composer, "astonishingly effortless". Moreover, quoting the words of Mr. Hiltunen, "[when] performed with an enriched and thus more extensive timbre, the Quartet becomes sonically closer to the New World Symphony, fascinatingly accentuating the similarities between these closely composed works". To distinguish his arrangement from the original, composer Hiltunen titled the movements of the work as follows, in the style of Rudolf Barshai's Shostakovich orchestrations derived from the composer's string quartets or Felix Mendelssohn's own setting for winds and timpani of his String Symphony No. 8 in D major: Prelude – Nocturne – Scherzo with Trio – Finale. The end result is an entity that is a far more convincing listening and performing experience than the original, leaving one to wonder why Dvorák did not produce a version of the work for an extended instrumentation.
What is necessary to perform this work?
The work may be performed without a conductor, with the first violinist leading the ensemble from his/her seat. The musicians should sit in a semi-circle, with the first violinist at the left end of the arch and the clarinetist opposite the first violinist at the right end, next to the flutist. From the first violinist towards the inside, the musicians should be seated in accordance with the score, with the cellist sitting next to the flutist. After the second movement, there should be a brief pause of at most a minute to allow the clarinetist to change his/her instrument from type A to type Bb without stress.